Interaktivna instalacija
Avtorska glasba in koncept: Peter Penko
Vonjave in koncept: Barbara Pia Jenič
Vokal: Zala Hodnik
Zvočna interaktivna instalacija raziskuje inherentna razmerja med zvokom in
materialnostjo, zvokom in čutnostjo. Postavlja zvok v različne čutne kontekste in ga zato
plemeniti z novimi potenciali percepcije, doživljanja in interpretacije.
Instalacija temelji na sinesteziji zvočnih pokrajin, vonjev in statičnih slik. V svojem
izhodišču se projekt naslanja na sposobnost zaznavanja posamičnih dražljajev
(zvok, vonj, pogled) in v kombinacij le-teh. Sprašujemo se, kako na našo percepcijo
v zvočnem polju vplivajo vonjave ali slike. V kolikšni meri se naše dojemanje zvočnih
pokrajin in vizualnih podob razlikuje in kaj nam je skupnega, ob poudarku, da
je analiza slednjega (dojemanja) pogojena z vonjavami. Ali so naša zaznavanja in
odzivanja na omenjena čutila univerzalne narave ali pa edinstvena in jih poleg
zunanjih dražljajev ustvarja zapleten, a prav tako edinstven psihološki profil vsakega
posameznika. Cilj nam je doseči nova in preizkušati drugačna obiskovalčeva
občutja in doživljanja atmosfere preko kombinacij različnih zvokov, vonjev in slik.
— Miroslav Akrapović
Senzorium zavod je pionir v razvoju senzorialnega gledališča v Sloveniji in eno redkih
gledališč v Evropi in svetu, ki vpleta vse čute v svoje predstave. Glasba in zvok sta torej
zelo pomembna elementa v senzorialni gledališki poetiki. Olfaktivno-zvočne sinestezije
čutov v kombinaciji z vizualno umetnostjo predstavljajo nov korak v razvoju umetnost
Izvršna produkcija: zavod Senzorium
Finančna podpora Ministrstvo za kulturo RS
Soorganizacija Mednarodni grafični in likovni center MGLC
Interactive Installation
Original music and concept: Peter Penko
Smells and concept: Barbara Pia Jenič
Vocals: Zala Hodnik
This acoustic interactive installation explores the inherent relationships between
sound and material reality, between sound and sensuousness. It places sound in various
sensual contexts, thereby enabling it with new potentials of perception, experience, and
interpretation.
The installation is based on a synesthesia of soundscapes, smells and static
pictures. As its point of departure it relies on the ability to recognize individual
stimuli (sound, smell, sight) and combinations of them. We ask ourselves how smells or
pictures influence our perceptions in the area of sound, to what extent our
understandings of soundscapes and visual images differ, and what we share
in common; while stressing that an analysis of the former (understanding) is
conditional or dependent on smells. Are our perceptions and responses to
the abovementioned senses universal, or are they unique? Do they in addition
to external stimuli; create complex but just as unique, psychological profiles
for every individual? Our goal is to achieve new and experiment with different
sensations of the visitor; a new experience of atmosphere through combinations
of various sounds, smells and pictures.
— Miroslav Akrapović
The Senzorium theatre is a pioneer in the development of sensorial theatre
in Slovenia and one of the rare theatres in Europe and the world which intertwines all
senses into their presentations. Music and sound are therefore very important elements
in the poetics of sensorial theatre. The olfactory-acoustic synesthesia of senses in
combination with visual art, represents a new step in the development of art in Slovenia
and in the world.
Executive production: zavod Senzorium
Financial support by: Ministry of culture of Republic of Slovenia
Co – organized by: International centre of graphic arts – MGLC Ljubljana