(based on the motives from the novel The Master and Margarita by M. Bulgakov)
The plot of the performance:
In order to find the Master, Margarita is willing to go to the end of the world, on the other side of existence, right to the Hell… She receives help from the devil himself, Woland, and his messenger, cat Behemont. The Master, Pontius Pilate, poet Bezdomny (Homeless) and Frieda look for their salvation as well. Everyone must cross their own darkness to find the point of peace. Together with the visitors Margarita guides them into the invisible world of passage…
The concept of the stage direction of sensorial language:
The performance contains narrative, acted and experiential parts for the visitors. It is interactive and tactile. This time the labyrinth is in an open space which simultaneously admits thirty visitors. Here a visitor gets his own individual experience in a new way.
Concept and stage direction: Barbara Pia Jenič
Set design of the visible part: Ema Kugler
Set design and tactility of the invisible part: Barbara Pia Jenič
Light and technical manager: Gabriel Hernandez
Music: Peter Penko, vocals: Barbara Pia Jenič
Costume designer: Tatjana Oblak Milčinski
Public relations: Maša Bojc
Assistant producer: Mateja Dolenc
Actors: Jan Bučar, Urška Bradaškja, Maša Bojc, Manca Dorrer, Barbara Pia Jenič, Primož Vrhovec, Barbara Žafran/G. Hernandez – understudy
